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supported by 6 fans who also own “미끄럼 주의 slippery surface”
the live version is filled with so much energy and anger, but happiness aswell.
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To See the Next Part of the Dream
by Parannoul
supported by 5 fans who also own “미끄럼 주의 slippery surface”
Takes me back to my high school classroom during the days of binging Inio Asano's old manga scanlations before anything was licensed. At that time, I was discovering many kinds of Asian shoegaze, but I've never heard anything like this. Makes me think of Pasteboard, Supecar, and Midnight Pingpong a bit, and it's funny bc the first two I listen have blue album covers too.
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The Last Thing Left
by Say Sue Me 세이수미
The South Korean indie pop quartet further refine their cozy blend of early ‘90s college rock and late ‘60s jangle.
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희망열차를 타고 우주로 가요 (Hopetrain to Universe)
by Yo
Embracing maximalism to the fullest, the Korean rockers populate their jangling soundscapes with pianos, strings, and even wurlitzers.
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The Seoul, South Korea-based quartet combine the flashy technicality of math rock with dramatic pop hooks.
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